....So, obviously, Farrell’s “Ciaconna” worked for me. In fact, I like the whole album. There’s a brightness to Farrell’s tone—and a lively, ambient quality to the recording—that is perfect for the many buoyant dance movements, yet also lends an appropriate sonic depth to the graceful and moving sarabandes. It feels as though we’re in the front row of a beautiful old church listening to a master guitarist “receiving” Bach’s genius from On High. And that’s a great place to spend some time.